Showing posts with label criticism. Show all posts
Showing posts with label criticism. Show all posts

Thursday, December 25, 2014

50 Shad3s: Prologue

Sung:

So this is Christmas
And what have you done
Another year over
And a new one just begun
And so this is Christmas
I hope you have fun
Here's another 50 Shades book
And it's pretty dumb

Oh geez. 

So, here we are. Counting down to the end of the year. Counting down to Valentine's Day and the release of the 50 Shades movie [!]. And now, counting down to the end of our ongoing investigation. 

That's right! There's one book left, and we're going to read it! I mean, you aren't. At least, I hope you aren't. But I am. And I'm going to tell you all about it and you'll be, well, not impressed exactly but you'll be amused, maybe? Or maybe you'll just respect my perseverance. "Well," you'll say, "He sure did do that thing he said he was going to do!" That's right. I am a man of my stupid word.

We're starting this again. I didn't write anything this fall although I did play a lot of music and I think I'm not bragging when I say I went from "total incompetence" to what we might call "regular incompetence" and so I feel pretty good about my sabbatical. But it must end and I hope to write quite a bit more in 2015 than I did in 2014. I'm choosing not to put any of my specific goals into print because sometimes, the more you talk about doing something, the more people you tell you're going to do something, the less of it you end up actually doing. So let's just agree that I have schemes and leave it at that. (Editor's note: Alden actually did write quite a bit in 2014, even if he basically took off the last quarter of the year for reasons of laziness and of being tired of a certain book series.)

The only thing that did kind of stall out was my planned James Bond project. I liked doing it well enough but kept getting interrupted whenever I felt ready to work on a new entry. I have a copy of From Russia With Love sitting right on my desk so what I'd like to do is allow myself to stagger these final 50 Shad3s essays out a little. Take the occasional week off in order to mix in JB or something else. 

One last bit of bizness and then we'll get to the Prologu3 you've been waiting so many months for! 

Thursday, September 25, 2014

the complainist returns! the complainst vs. 007

Update!

I am not yet prepared to read more 50 Shades so I'm afraid you'll have to wait a bit longer for that. The more you read of EL James, the lower your sensitivity gets, so on the advice of my doctor, I am continuing my sabbatical.

BUT I've gotta put something up here for the international spam robots to read. (Editor's note: we presume that most of our traffic is from spam robots. Feel free to prove us wrong by saying hi or whatever.) So the question is this: whither the complainist? 


Not that long ago I thought it would be fun to re-watch all the James Bond flicks, starting at the beginning. And while I knew I'd seen most of them, I also was pretty sure I'd missed a couple here and there, so why not catch up with the full run?

So I started doing it and you know what? James Bond movies are almost exclusively terrible. Sometimes charmingly so, but often not. Often just regular terrible.

Typical crimes of early the early JB:

  • These plots? They just ooze in all directions. When I was a kid I thought maybe the stories were just complicated and that's why I didn't always get them. Turns out I still don't really get them. The plot feels like it's being made up in real time. It also just sort of feels like JB launches himself places blindly, but always ends up in the right spot based on dumb luck. 
  • I should've put this first: they're even more sexist and racist than I thought they were going to be. I mean, we all know about the sexist tropes like the "Bond girl" but they're weirder and grosser than I recall. And also there's one where JB pretends he's gay so he can catch a villain / sleep with a bunch of ladies. (Editor's note: this is a real thing from a movie! Not a joke!)
  • The action early on is super mediocre. You know how contemporary action stars look all actiony? Early JB just looks like somebody's well-dressed dad. He looks like he works at a bank and plays golf on the weekend. As in, I mean you wouldn't call him out of shape, exactly, but you don't see him and say, "Hey that is a man who can punch his way out of a situation." Because that's not how you see him. You see him and say, "Hey, when I'm fifty, maybe I could look like that. That wouldn't be so bad!" Right? That is not the thing I say when I see Daniel Craig. Also note that I said "fifty." Early JB seems decidedly middle aged. JB basically never seems young, per se. He always seems like his best days are behind him.
SEGUE: that is not how the new movies seem. Full disclosure: I really like the Daniel Craig James Bond movies! I think they're super fun! So I'm not coming into this as like, a pure hater who rejects the whole idiom. And probably I should! Probably I should hate the whole lot of them, but I don't. And can't.

That leaves a bit of a reward for me at the end--eventually, if I stay with it, I'll get to movies that I actually enjoy. So very different from 50 Shades where it just keeps getting worse. Over here, it's going to start out prettttttty bad, but I know that better times are ahead. Sort of a reward for myself, right? That's fair!

Also? I remain a little uncomfortable with my weekly lambasting of 50 Shades. On the one hand, it's a weird thing to do in 2014 because nobody gives a shit anymore. Maybe there will be some renewed interest now that there's a movie forthcoming, but I'm pretty late to the party. And, it's kind of unfair to tear into somebody else's entertainment. Because let's be real: of course I don't like it. It isn't for me. Now, I don't think that that means it should get some kind of "pass" from me or that I'm not entitled to an opinion. But JB is just right exactly in my white man wheelhouse. And that means that I never have to feel like maybe I'm being unfair, or maybe I wasn't supposed to like it and that's why I don't like it. Because I am supposed to like it, and sometimes, I do. 

But these early ones? It is amazing to me that the franchise lasted. It is amazing to me that they made more than like, three of these things because they are rough. Just very, very rough. 

So let's talk about that next!

I think I'm going to try to do this monthly. I don't think that anyone would be interested in reading multi-part essays about these flicks so I'm not going to divide them up. Just one entry per movie. And based on my track record, they're probably going to be pretty long entries and not the sort of thing I could crank out promptly. So I'll try to do one a month and maybe figure out some other things to do on some or all of my off weeks, but I don't know what. 

But anyway. James Bond. First? Dr. No. JB has a super-sweet introductory scene, and then it's down hill from there. Wait the parts before JB shows up come off kinda racist, if I'm remembering correctly, and then he shows up and you're like, "Dope. This is going to be tight." And then it's not. Not tight at all. 

Fun, right!

Maybe!

Anyway. Fingers crossed that I finish up with Dr. No in time to post next week. I might! Watch it yourself if you want! Bad news: it's not streaming anywhere in like, a legal sense? But who's going to tell you not to torrent it or whatever? Not this guy! "Srsly don't torrent it tho," said this guy. "Or do," said this other guy. Ugh. Now you won't know who to trust!

Until next week, though! Dr. No. 

Wednesday, March 26, 2014

50 Shades Shadier: Chapter 7 part 2

So, my computer died. I'm using it again, to type this very sentence! So I guess it's undead now? A zombie? And my backup habits were poor. You might think, gentle reader, that we've reached the point where people just don't have poor backup habits anymore. The point where people don't even have to really have their shit together because they have machines to keep their shit together and they don't even have to think about it.

You'd be wrong, though. I feel dumber than you can possibly imagine. And yet, I still see this status update from somebody basically every week: "Lost my phone, guys, so can everybody please message me your number?" That is the only thing that keeps me feeling semi-sane about the fact that I had to restore my computer with a backup that was several months out of date. Months! Downright criminal. I'm only sharing this with you, gentle reader, and this is pretty personal stuff so please don't tell anyone. Got it? Thanks.

It couldn't have happened at a worst time, since now I'm taking this class that swears that I'm going to write a novel in 5 weeks. And maybe I will. What am I paying for, really? Pretty much I'm just paying to make sure that there's a group of strangers who will know if I don't write 1,200 words a day like I said I would. I'm paying for a shame-mechanism.

Which, to be fair, I think is worth it. I no longer have a shame-mechanism. It's not like I get desperate emails when I don't publish this on time. It's not like anyone knows whether I'm writing anything or not, or particularly cares. That must be some indication of the trouble I still have in my new, northwest life. I have to pay money so that strangers will ask me whether I'm doing any writing or not. I'm sorry. I'm in a terrible mood because of this computer thing? And for reasons general? And also because I just listened to George Saunders talk about writing and he's just a mutterblushing charmer and his thoughts on writing hit me at just the wrong time and now I feel like maybe I should just never write anything ever again. But then what would I do? I don't know! Netflix?

Is that enough of that? I suppose so. Let's rejoin our heroes. When last we saw them, Christian had just gotten finished buying Ana at an auction, and he was competing with some mystery man. Then they retreated to CG's childhood bedroom to do it. (Editor's note: by "it" we mean sex.) And there on his wall was a mystery photo of a mystery woman so we've got two mysteries! OMG WHO ARE THOSE PEOPLE and also who cares.

And then, they return to the party.

But let's do that thing where we catch up all the way, shall we?

Our story thus far:

 

Tuesday, February 18, 2014

Fifty Shades Shadier: Chapter 5 part 2

tldnr
Ana and Christian go to Christian's house. Ana draws on Christian with lipstick. 

When last we saw our heroes, CG had just finished carrying Ana around downtown Seattle while simultaneously spanking her. That was pretty gross. Then EL displayed some woeful unfamiliarity with American gun culture. See, EL thinks that you get a concealed weapons permit, and then you get a gun. If you're dangerous and unstable, you probably just get the gun, right? Probably. But anyway. I guess we can't assume yet that Leila has a gun. She's maybe the most polite, Washington-style gun owner ever, and is going to get a bunch of permits first and then maybe get a gun later. But hey. A gun has entered our story. So probably somebody is going to get shot. I know I've got a particular "somebody" in mind I'm hoping for, but I will not tell you his name because I am superstitious like that.

But where were we, exactly?


Our story thus far:

Tuesday, January 21, 2014

50 Shades Shadier: Chapter 3 part 2

tldnr:
Christian picks up Ana at the bar near her workplace and then they go to her condo and then they buy groceries.

As you will understand, thanks to the lateness of this post. I'm not sure that I can manage this twice a week schedule. I like the idea of covering a chapter a week, if only because that gets us to the end faster, but if I'm to maintain this level of rigor, I might have to slow down. The chapters in Shadier are longer than those of 50 Shades and also, you haven't really been talking up this blog with your friends in publishing, and as a result, I still have some day jobs that I must attend. Hence the lack of a Friday post last week. (Editor's note: also the Tuesday post was completed with more haste than we usually prefer, too.) 

Nothing to do but struggle on, though! Well, that or quit, which would be sensible. But we have never been accused of being sensible! So, we carry on. We will have, I expect, one post again this week, but may find ourselves able to return to a faster schedule as time goes on. I should mention, though, that the presence or absence of Friday posts does little to affect my overall tally of clicks for the week. In case you are wondering, my average is something like fifty, though I do have exceptional days which can vary widely in either direction. Also, I should definitely mention that mostly what I get are "false positives" from spam robots. If anyone is smarter than I am and knows how to remove these spam robots from my blogger statistics, I would appreciate the advice. I hate logging in, seeing that I got a bunch of new reads, and then seeing that they were, in fact, all spam robots. Boo.


Our story thus far:

Ana is a naive college student who dated a billionaire for a couple weeks but broke things off with him because he spanked her too hard.
  1. Ana starts her new job at a publishing company and agrees to let Christian give her a ride to José’s art show. It turns out they both miss each other or whatever.
  2. Ana and Christian eat steaks at a restaurant. They rekindle their “romance” and Christian says that they won’t have to have rules anymore and he won’t punish Ana. They drive back to Seattle and Christian gives Ana back the expensive gifts that she'd returned to him when they broke up, along with a new iPad.
  3. Ana goes to work. She is confronted by one of Christian's ex lovers on her way out for drinks with her coworkers.
Let's see how Ana is doing at the bar, shall we?

Friday, January 10, 2014

50 Shades Shadier: Chapter 2 part 2

There are several things I think you should know about my life right now.

  1.  I just spilled an extraordinary amount of latte on myself. I can’t explain it. One second I was taking a dainty, sophisticated sip of latte and the next, I was doing my best to mop up milk and coffee with a handkerchief and silently cursing this fancy-pants cafe. 
  2. The script on the baked goods was real complicated so I accidentally spent five bucks on something called a Luchador Cake and I ordered it because Luchadors are great, not because I’m some kind of jerk who spends five bucks on cake. 
  3. The cake is pretty good tho. 
  4. I am, at the moment, too angry to ask for the wifi password so I’m typing this offline like a caveman, so that I can load it into Blogger later.
  5. I have finished Draft 2 of my opus, Fifty Clichés of Grey: a Fifty Shades Readers Guide and it’s wonderful and I think we can all agree that it is exactly what your local bookstore needs, so go ahead and start lobbying for it now because I think that’s how these things work.

Where were we? Somewhere. Oh right. 

Our story thus far:

Ana is a naive college student who dated a billionaire for a couple weeks but broke things off with him because he spanked her too hard. 


  1.  Ana starts her new job at a publishing company and agrees to let Christian give her a ride to José’s art show. It turns out they both miss each other or whatever.
  2.  Part 1: Ana and Christian eat steaks at a restaurant and then drive back from Portland to Seattle. They rekindle their “romance” and Christian says that they won’t have to have rules anymore and he won’t punish Ana.

And now, here we are, with just a few loose ends to tie up before we part ways with Chapter 2. 

Ana falls asleep in CG’s car and when she wakes up, we’re outside her apartment in Seattle. I wish she took these power naps more frequently. Gives me a nice little break from her nonsense. 

Ana’s reactions are typically indicative of her passive relationship with CG. 

"No. We're nearly at your place."

Oh? "We're not going to yours?"

"No."

I sit up and gaze at him. "Why not?"

"Because you have work tomorrow."

"Oh." I pout.

He smirks at me. "Why, did you have something in mind?"

I flush. "Well, maybe."

He chuckles. "Anastasia, I am not going to touch you again, not until you beg me to."

"What!"

"So that you'll start communicating with me. Next time we make love, you're going to have to tell me exactly what you want in fine detail."

"Oh." He shifts me off his lap as Taylor pulls up outside my apartment. Christian climbs out and holds the car door open for me.

"I have something for you." He moves to the back of the car, opens the trunk, and pulls out a large gift-wrapped box. What the hell is this?

"Open it when you get inside."

"You're not coming in?"

"No, Anastasia."

Fun, right? I get that Ana doesn’t want to share with Christian exactly what she has in mind, but she sees no reason to share any thoughts with us, either. And, as always, CG is completely in charge. And how gross is that line about Ana telling CG exactly what she wants in “fine detail”? Can you even imagine what a drag that’s going to be? “Put your impressive length down there, so I can feel it in my low, low belly.” Ugh. Terrifying. I hope she sleeps through that sequence too, just like this car ride.

I also like her reaction to CG handing her a present. “What the hell is this?” Hey, Ana! Are you familiar with this phenomenon? Sometimes, people will obscure the identity of a gift by wrapping it in some kind of festive paper, so as to build anticipation while the recipient opens it. It does not surprise me that Ana is confused by the idea of a gesture meant exclusively to build anticipation. 

I’m particularly annoyed by that last part--”You’re not coming in?” Would be a pretty sensible moment to let us know what Ana is thinking. I mean, I’m pretty confident she wants to join CG in the bone-zone but c’mon. The main thing that a first-person point of view has got going for it is the ease with which the author can share with us the protagonist’s perspective. Instead, all we get are Ana’s weird nonsense surprises. A gift? From my billionaire boyfriend who’s always buying me expensive gifts? What a perplexing gesture!

They arrange to see each other again the next night and I can’t wait! I’m so very, very excited! Aren’t you? Probably, right? Right. Ana mentions that she’ll be getting drinks after work with her boss, and of course CG is super jelly. In fact, the whole “drinks after work” thing is not nearly as weird as it seemed when introduced by Ana’s boss, Jack, in the previous chapter. He made it sound like a date; when it actually happens, it’s much more of a “people getting drinks after work” thing and not weird at all. But of course when Ana tells CG about it, it’s as though she’s confessing that she’s taken a lover during their time apart. 

"My boss wants me to go for a drink with him tomorrow."

Christian's face hardens. "Does he, now?" His voice is laced with latent menace.

"To celebrate my first week," I add quickly.

Latent menace, y’all! Well. At least he isn’t breaking with tradition in the slightest! Fun. 

Pretty soon Ana gets into her fancy apartment and investigates her gift. Mostly it’s just CG returning her expensive shit that she gave back to him when they broke up. Computer. Blackberry. But here’s one of my absolute favorite (read: most hated) paragraphs in the whole thing: 

Opening the case, I find an iPad. Holy shit... an iPad. A white card is resting on the screen with a message written in Christian's handwriting: Holy cow. I have a Christian Grey mix-tape in the guise of a high-end iPad. I shake my head in disapproval because of the expense, but deep down I love it. Jack at the office has one, so I know how they work.

On the one hand, the iPad makes more sense that the computer of the Blackberry. He should’ve bought it for her in the beginning. So, whatever. Cheap in comparison to the computer. But wait. Did CG write Ana a note that says “Holy cow”? Because that would actually be kind of cute. But I fear it’s just more of EL being bad at writing. I expect that there’s some other note. Maybe a song list? Because the “mix-tape” part makes absolutely no sense. 

Also, iPads are not hard to work. But once again, EL can’t just let Ana know a thing. She has to have a reason for know a thing. And the reason has to be some education provided for her by a man, because that’s how it works in this book. Men know things and women can sometimes learn things from men. Gross.

The iPad is terribly exciting to Ana because she’s a real doofus and whatever. 

I switch it on and gasp as the wallpaper image appears: a small model glider. Oh my.

It's the Blanik L23 I gave him, mounted on a glass stand and sitting on what I think is Christian's desk at his office. I gape at it.

He built it! He really did build it. I remember now he mentioned it in the note with the flowers. I'm reeling, and I know in that instant that he's put a great deal of thought into this gift.

A great deal of thought? Eh. Maybe. More like six hundred bucks and five minutes of thought but whatever. 

There are a bunch of photos loaded in as well which of course is super-duper exciting and must’ve taken CG easily two minutes so that’s fun as well.

Holy shit! The British Library? I touch the icon and a menu appears: Historical collection. Scrolling down, I select novels of tHe 18tH and 19tH century. Another menu. I tap on a title: The AmericAn by Henry James. A new window opens, offering me a scanned copy of the book to read. Holy crap - it's an early edition, published in 1879, and it's on my iPad! He's bought me the British Library at a touch of a button.

My favorite part is this British Library app. I don’t care to discover whether or not this is a real thing. Let’s say that it is. Tell me: how would you feel about reading a scanned, 1879 edition of a novel instead of just reading the thing in Kindle or iBooks or whatever? Exactly--that sounds tedious and terrible. Also old-ass novels are free, and if this app exists, it probably costs actual money. Probably costs actual money to do the same thing in a way more annoying fashion, so I can see why Christian was drawn to it. Totally makes sense.

I’m going to go ahead and share with you a pretty long chunk. Ana checks out the music pre-loaded onto her iPad. (Editor’s note: what do you think she’ll call it? I mean, not the mean machine. That’s taken. So what, then? Guesses?) And this part is so, so terrible. It’s a pretty dense dump of information, and it’s mainly absolute nonsense, but it’s also hilariously revealing. 


I go back to the main screen, hit the iPod icon and a playlist appears. I scroll through the songs, and the list makes me smile. Thomas Tallis - I'm not going to forget that in a hurry. I heard it twice, after all, while he flogged and fucked me. "Witchcraft." My grin gets wider - dancing round the great room. The Bach Marcello piece -  oh no, that's way too sad for my mood right now. Hmm. Jeff Buckley -  yeah, I've heard of him. Snow Patrol - my favorite band - and a song called "Principles of Lust" by Enigma. How Christian. I smirk. Another called "Possession"... oh yes, very Fifty Shades.

And a few more I have never heard.

Selecting a song that catches my eye, I press play. It's called "Try" by Nellie Furtado.

She starts to sing, and her voice is a silken scarf wrapping around me, enveloping me. I lie down on my bed.

Does this mean Christian's going to try? Try this new relationship? I drink in the lyrics, staring at the ceiling, trying to understand his turnaround. He missed me. I missed him. He must have some feelings for me. He must. This iPad, these songs, these apps - he cares. He really cares. My heart swells with hope.

The song ends and tears spring to my eyes. I quickly scroll to another - "The Scientist"
by Coldplay - one of Kate's favorite bands. I know the track, but I've never really listened to the lyrics before. I close my eyes and let the words wash over and through me.

My tears start to flow. I can't stem them. If this isn't an apology, what is it? Oh, Christian. Or is this an invitation? Will he answer my questions? Am I reading too much into this?

It’s comical how happy this makes Ana. This is just another rich-guy present, but somehow, the tiniest bit of personalization is enough to make it seem thoughtful as hell to poor Ana. In the hands of a better writer, I’d think that we were witnessing an author skillfully illustrating Ana’s sad delusions. “Am I reading too much into this?” Yes. Yes you are.

So on the one hand, we have all the songs that were mentioned in the first book. And then we just have the absolute worst easy listening schlock pop-rock. Nellie Furtado, Snow Patrol, and Coldplay is like a grand slam. It’s the perfect grouping of music for somebody to listen to if that person is boring and doesn’t like anything at all in the world.

But even worse is the way EL describes Ana listening to music. Why do this half-assed shit? Am I supposed to go look up the lyrics to “The Scientist” so that I know why they’re washing over Ana or whatever? Because I am absolutely not going to do that. Nope. Well, I might. But only to make fun of her for listening to Coldplay. 

Why can’t Ana be cool?! That’s what I really want to know! It’s like EL read my mind and created two characters custom-made to be annoying to me in every possible way. 

Oh and then Ana turns on her computer so that she can send CG a thank-you email because obvs she couldn't do that on her iPad. Oh wait, she could? Never mind. I think maybe EL thinks that an iPad is just a flat iPod. That seems likely, right? That in EL’s mind, you can only read books and listen to music on iPads? Can’t do music or whatever? I’ll assume that’s true.

This quick thank-you devolves into a succession of six total messages, back and forth. And then Ana switches from her computer back to her iPad. Of course, since it's most likely that CG just bought all this music on the iTunes store, Ana could listen to it on whatever device suits her best, but that kind of maneuver might be just too complicated for those with Ana's lack of technical skill / basic ability to function in the modern world.

As is the case with almost every chapter EL James writes, she ends this one with Ana falling asleep. And it makes sense because you've got to break things up somehow, right? And it isn't like EL can place chapter breaks in a way that serves to break up key moments in the development of the plot, since there is so little plot. Ana and CG have, as of the end of Chapter 2, given us no reason to read on. Everything has wrapped up quite nicely--they've agreed to a punishment-free sex situation, and that was all that Ana really wanted. Am I forgetting anything?

Well, a couple small things. We still have Jack Hyde, Ana's new boss, whom we've been told quite clearly is a villain, despite the fact that EL has not yet shown him doing any villain stuff. So I guess we have to wait around for him to do villain stuff. And also we have the "situation" from the end of the last book. For those not yet initiated, we know very little about the situation, other than the fact that it took place in Seattle, it bothered CG very much, and it involved a woman somehow whom CG's goons were trying to keep track of. So maybe we'll learn some more about these two elements.

Doesn't say much for this thing as a trilogy though, does it? We have this primary conflict between Ana and Christian that's basically resolved. And the secondary conflicts, at least so far, have nothing to do with Ana and Christian's relationship. Jack Hyde is just a shitty guy who does villain stuff for his own reasons, we will eventually learn. And the "situation" is really just a skeleton from CG's closet and has very little to do with Ana, as we will also eventually learn.

But, I suppose we can keep reading, on account of EL's scintillating prose. 

Tuesday, November 5, 2013

50 Shades of the Complainist: Chapter 26

Holy crap. . . we made it to the end! My inner MFA student crosses rolls his eyes at me and goes back to reading the newest Lemony Snicket. 

tldnr
Ana lets Christian spank her hard and then she dumps him.

Warnings:
The spanking part does actually get pretty rough, but if you're like me, you'll kind of want to read it anyway since it's the immediate lead-up to Ana dumping Christian, which is the best part of the whole terrible book. 

So. We did it. We reached the end. We read every chapter, and gave the thing more thought than even the book's own author. And you know--we learned some things. About life. About sex. About ourselves. 

Just kidding! This has been a total waste. Well. If you enjoyed reading any part of this, then great. It wasn't a total waste. But still. There are definitely better things I could be doing with myself, right? I kind of feel like there must be. Like, even sleeping. Just getting a little bit of extra sleep every week probably would've noticeably improved my health and happiness over these past months. But let's not get too caught up in that! Let's be so pleased with the fact that we're finally at the end! (Editor's note: Or, in another manner of thinking, 1/3 through the trilogy. But whatever.) 

This is still an accomplishment, sort of! I think I'm going to do nanowrimo this November, and now I'm like, boom! Easy. All I have to do is write out a dozen or so single-sentence chapter summaries on Nov. 1 and then crank out a chapter every other day. Boom. Zoom. Simple. I can write five-thousand words about this terrible, terrible book in a single evening. So why can't I write whatever? Maybe I can!

And that's what I was trying to do. Exercise my brain. Get it back into shape a little. So we'll see if I succeeded! And we'll see if anybody deigns to look at this blog between now and when I start posting about Fifty Shades of Grey: The Billionaire Spanks Back. Expect that for Christmas. Doesn't that kind of make sense? You got the whole family, all gathered around. Opening up presents. Talking about the new floggers Santa brought us or whatever. And then, firing up the old mean machine and reading the complainist. That is, to me, the perfect holiday! Merry Christmas, mutterblushers!

Oh right. Let's talk about the last chapter! I mean, if you want to. I already spoilered it but who cares. This blog isn't about the plot! It's about my zingers! Zing!

Tuesday, October 29, 2013

50 Shades of the Complainist: Chapter 25

tldnr
Ana flies back to Seattle and then she has sex with Christian.

Warnings:
They have some sex. Using restraints and sensory deprivation. Whatever. I keep expecting stuff to get crazier, but nope! 

OMGLOL NEWS UPDATE
Someone named Jamie Dornan is the new Christian Grey, until he wises up and quits, just like that motorcycle dude did. I have no idea who this is. I haven't seen any of his listed credits on IMDB. Hell--I haven't even heard of any of his credits except for Marie Antoinette and that was basically his first credit so he's probably just a dude that opens up a door and says, "Oh, whuddup, Mary-A!" (I assume that's the sort of line that probably gets said in Marie Antoinette. Whatever.)

I'm basically going to do the same thing I do when following a political race: I immediately think best of the person I know the least about, because I don't have any real basis for hatred yet. So good luck, Jamie! Also: who cares? Also, IMDB offers this particularly useless bit of trivia: "Played a serious level of rugby in his native Ireland." What does that mean? No idea. Is this what his friends said before they staged a rugby intervention? "Jamie, we all love you, but we just need to talk for a moment about your rugby level. It's serious." 

But anyway, Jamie, if you are reading this, best of luck! Should you go through with this, 50 Shades will probably make you rich and ruin your career at the same time, as you'll be forever associated with this garbage. (Editor's note: this is also Alden's plan. He's weighed his options, and is happy making this his first and last book. Also, the publishing rights are still for sale. Ahem.)

But where were we? OH YEAH ALMOST FINISHED LOLZ.

The Penultimate Chapter!

Last week I got all sad and moped about how little plot this book's got. Basically none! I do whine about this basically every week, but it's only as we approach the end of this mess that the real "shape" of the "plot" becomes entirely apparent. I mean, I should've figured this out earlier, but only now can we start to reflect back on the earlier chapters and take note of all the possible plot threads that EL James introduces only to abandon:

  • José as secondary love-interest 
  • Kate as foil for Christian
Not very many! Almost none, actually! But let's do another list of all the little side-ideas that EL made us think were maybe going to go somewhere:

  • José's photography show. Was every important at about Chapter 3 but now I don't even know if it's a thing.
  • Ana was once upset about CG spending lots of money on her. He's spending more than ever, but we're talking about it less.
  • Ana's job search was resolved with absolutely no strain or plot implications.
  • It seemed as though there might be some stress related to our heroes meeting each other's families, but these meetings were completely amicable and worry-free once they actually happened.
  • CG presented Ana with a pretty complicated list of sex-stuff, but in practice, all he wants is for her to hold still and act like a corpse while they do the deed, so his personal sexual tastes haven't really affected the story nearly as much as his general dickishness. 


If EL would've developed either of the two listed (reasonably good!) potential subplots as subplots, maybe I wouldn't be quite so depressed right now! Having José as a sort of "anti-Christian" competing for Ana's affections and having Kate actively trying to chase Christian off would've given Ana something like an actual conflict to resolve. Even better if we were to also see more of Elliot. It's completely weird that Ana and her bff are dating brothers, but why not use it? EL could do far more to paint Elliot and Kate as a sort of happy, alternate-universe version of Ana and CG. She hints at it, but never uses it.

Even if readers split off into "Team Christian" and "Team José" factions we all still probably would've realized that Ana and CG were going to end up together in the end. But that's ok! This is commercial storytelling! It's not like when I go see the Transformers fight the Decepticons I think for even a moment that the Decepticons will win. That's not the point. In this kind of "junk food" entertainment, we're not really wondering how the thing is going to end. We know how it's going to end. What's entertaining is being surprised about the twists and turns the story takes before arriving at its scheduled destination.

So how does 50 Shades measure up? Not very well! Let's look at a sort of "default" romance plot, rephrased for more inclusive times:  person meets person, person loses person, person does some stuff and gets person back, and also maybe there's a cool montage. To generalize: the romance plot depends upon some kind of external obstacle which keeps apart two people we'd like to see together.

Right? Great. So what happens in this story? They get together immediately, and face no external obstacles. All the potential external obstacles are abandoned, and we just have the fact that CG is a shitty person and Ana is a complete maroon. I've discussed this before, I'm sure, but here I am again: the only thing keeping these two from having a happy relationship is that they're just not right for each other.

So instead of a story that's about some likable characters overcoming obstacles, what we have is some unlikable characters moping around until they decide that maybe they should just stay together because of inertia. Riveting!

Meaning this: This love story is basically the story of every shitty relationship ever, except for the part where the guy is a billionaire and has a specific sexual requirements. 

That's a weird genre of erotica, right?

But where were we?

Tuesday, October 22, 2013

50 Shades of the Complainist: Chapter 24

tldnr
Ana and Christian fly around in a glider.

Warnings:
I'm going to spend a long time right at the top talking more about the sex from the previous chapter. Skip ahead to the jump if you want to miss out on that. Later on, I'm going to spend a lot of time wishing that Ana and Christian would hurry up and have breakfast-sex at IHOP, but that's just wishful thinking on my part. They don't actually do it. 


Those of you who read my take on Chapter 23 may be asking the same question I'm asking:

Wait, so this is supposed to be sexy? 

It is, right? Isn't that the whole idea? People using the phrase "mommy porn" are all idiots--there's nothing about this mess that suggests that it's aimed at mothers in any way. But, it is decidedly pornographic. Or, if that's too strong a term, it's supposed to be erotic at least, right? Isn't "erotica" just like, porn for snobs?

Here's what I'm stuck on: nothing happened in Chapter 23 at all, like usual. Pretty much it was just about Christian meeting Ana's mom, Carla, and Carla insisting that Ana head upstairs and have sex with CG, despite CG's obvious stalker tendencies.

And then they did have sex. And the first thing about that sex scene that's striking is Ana's absolute dependence on Christian. She's oddly removed from her own body--only enjoying herself when she cedes control to Christian and then takes things one step further, essentially experiencing her own sexuality exclusively through Christian's eyes. You're familiar with the concept of the male gaze? Shorthand for the way that art (visual art most obviously but the idea can be applied more generally) on the whole presumes a male audience--and to go further, a straight, white, male audience. Ana is portrayed in Chapter 23 as essentially needing to adopt this male gaze as her own and use it to perceive herself.

Part of what fascinates me about this terrible book and its popularity is this sort of contradiction. Here we have what is ostensively pornography for women, written by a woman, but a scenario that is completely geared toward a man's experience of sex.

This makes me think Bic's "Cristal" [sic] ballpoint pens. Finally! A pen for women! The listing on Amazon for Cristal is one of those delightful community satire projects that crop up on Amazon from time to time. Most of the reviews are, as you would expect, bitterly sarcastic. And they should be! Because it's just a mutterblushing pen! My understanding is that ladies have managed to write with the same pens as men for quite some time. At least as far back as Title 9, right?

And that's my question with 50 Shades. It's all the same ideas, the same scenarios you'd expect if this thing were aimed at men, instead. There's some pseudoscience that will tell you that men and women's brains are wired differently or have different bumps or whatever and that's why men like porn and women "don't" but it seemed intuitive to me (even pre-50 Shades) that maybe if someone tried to sell porn to women that actually presumed that perhaps women were human beings with opinions and desires, there just might be a market!

50 Shades proves this. . . . sort of. Millions of women have read it! But also EL's portrayal of Ana Steele is endlessly degrading. Ana is a complete doofus. She lacks any agency, any subjectivity. She requires a man's instruction in order to derive any pleasure from the body that she quite literally drags around with her everywhere she goes.

So what I'm saying is, it turns out that it wasn't even necessary to adjust the sexist assumptions of pornography in order to sell a commodity tailored for straight men to straight women. You just have to package it differently, and distribute it through different channels. That's the real difference here, right? 50 Shades found an audience through networks of Twilight fans and through internet fanfic sites and then exploded via Amazon and Kindle. These are not places that straight men are venturing when they're feeling horny, I expect. So maybe that's the lesson. The way to sell porn to women is just to sell it out a different door. Good job, capitalism!

Here's what I'm really trying to figure out, though:
Why was it so important for EL James to stage a sex scene while Ana was menstruating?

The Complainist's resident medical advisor offered, unsolicited, her take:

"Can I offer a lady person's perspective on the last published 50 Shades chapter? Gross. Yeah, mostly gross."

This is reassuring to me in two ways. First, I work from the assumption that men and women aren't nearly as different as our popular entertainments, lazy comedians, and so on would have us believe. But despite this assumption, I do recognize that there's something potentially offensive about a man (me!) heaping such clever insults at a book marketed as entertainment for women. (Editor's note: and here we are excluding EL James herself, whom we actively seek to offend.) There's that chance that someone will try to convince me that I simply don't get it, because I'm a dude. So! I am always particularly reassured when women agree with me. Because some of my best friends are women! I swear!

Second, as readers who know me in real life understand, our resident medical advisor shares my actual residence. And so little would trouble me more than to learn that she found any of this book appealing. You, gentle reader, may have learned some troubling things about me as we've shared this time together, but I have not yet learned anything troubling about anyone else, and I do hope that remains unchanged.

But back to Ana and what is, perhaps, the bloodiest sex scene in popular fiction: why? Why, why, why? What did EL James seek to accomplish in Chapter 23, when she showed us so very much about Ana's uterus?

As I often find when trying to make sense of this dumb book, I can come up with a few plausible answers, but they all seem insufficient, so I don't trust any of them. Here are a few plausible answers, all of which fail under actual scrutiny:

  1. CG's willingness to do it every single day of the month means that he's particularly generous and considerate of Ana's desires. Interesting theory! It's too bad that it's contradicted by the whole rest of the book, since CG is not at all generous nor considerate. Besides, if he were really being considerate, he could've been like, "Oh, is this an awkward time? Why don't you tell me using words what sort of sex things you'd enjoy doing on this particular night, and we can do those things, and I won't be disappointed if the things on your list don't match up perfectly with the things I'd most like to do myself." You know--instead of acting totally unilaterally. (Side note: this draws attention to just how limited CG's actual sexual repertoire is. He's basically limited to missionary plus restraints. Yawn.)
  2. EL probably chose to talk about Ana's period because EL is such a stickler for realism. This is a real-life thing, so shouldn't it be part of this very realistic novel? It is true that EL does often overwhelm with pointless details that any other writer would skip, but come on. The pointless details are not because EL wants to be realistic. They're a result of EL's writing process, which mostly involves treading water in between arguments or sex scenes. Plus, the sex was already the least realistic part of the book. 
  3. The fact that Ana's on her period makes the scene extra sexy for the reader! This isn't true, is it? I'm pretty sure this isn't true. At least, that wasn't my experience, nor the experience of my medical advisor, but I suppose your opinion could vary? Seriously though: go ahead. Tell me if you think this is anything but the worst! You can even do it anonymously! I don't care! But don't lie to me. Only post anonymously that you enjoyed it if you did. I don't need a bunch of trolls, trolls!
  4. This is just more vampire shit, right? I guess this is most likely. The whole scene was just some vampire bullshit that got left over from a previous draft in which Christian was literally a vampire. Which, in a way, makes it worse, right? 
Seriously, though--if anybody wants to explain to me how any of this is hot, I promise to listen! Because it would be way more fun to read this mess if I found any of it hot. 

But where were we?

Tuesday, September 24, 2013

50 Shades of the Complainist: Chapter 20

tldnr
Ana and Christian have boathouse sex and then go home for mild spanking and bed sex and then we get a pretty uninteresting revelation about Christian's past.

Warnings:
There is a bunch of sex but it isn't as gross as the end of Chapter 19 hinted it would be. 

Here we are! Chapter 20! The home stretch, I guess! Well. The home stretch of the first book, at least. Chapter 19 somehow managed to inspire my best-ever day of traffic, and my previous forays into non-50 Shades posts have made it clear that you only like me when riding EL's coattails. The combination of these two facts means that I'll eventually get to books 2 and 3, though I think I've earned a bit of a break and will not move immediately from this book to whatever the next one is called. I think it's Fifty Shades Into Darkness but I forget. Anyway- if you have any suggestions for things I ought to mock pointlessly (since that's my only real skill) do let me know. I would like to add some sort of non-EL project into the mix to serve as a break between books.

And thank you for telling your friends to read my little blog. You must have done so; I long ago gave up trying to do much of anything to add readers.

A dear friend let me know that there are, in fact, certain people who do not want to read my analysis. I share her story below, so that we might all learn from it. (Editor's note: she also mentioned that a security guard was fired from her workplace for watching pornography from his station, but I think that was more of an anecdote than a warning.)

And I learned another lesson about 20 minutes ago. Don't be stupid and forget that you are at St. Bernard Parish Hospital and that means the people here are a certain way. So when you see someone reading something on a kindle, dont get all excited cuz you were dumb and forgot where you worked CUZ BOOKS and then happily nose into their beeswax asking what they are reading cuz you love to know what people are reading cuz OBVIOUSLY they are reading fucking 50 Shades for the 2nd time cuz this is st bernard and they sold that book at the counter of Main's Grocery store, the ONLY BOOK EVER to be sold at that counter.  And stemming from that same lesson in not forgetting where you work, DO NOT THEN TELL THAT PERSON who is reading 50 Shades FOR THE SECOND TIME that your friend is writing a blog where he breaks down all of the ways in which that book is terrible. Because it is a dumb fucking thing to say, you idiot, cuz when a person reads in this parish, it is a BFD, and to read a thing TWICE is a VBFD, and mocking that thing makes that other person's face turn red as they make a face at you that clearly states you are an asshole and the conversation is over.

You guys have heard of St. Bernard Parish, right? The place next to New Orleans where they found brain-eating amoebas in the water supply? No? Well they did! But anyway, lesson learned. You know, I'm effectively reading this book twice, so I guess I can't really complain about anyone else reading it twice, either. So I'll save my worst insults for anyone who reads it three times. Or enjoys it once. 

Moving on!



Monday, June 17, 2013

50 Shades Controversy! Some reader criticism

Gentle reader:

The following is a reader-submitted note, or, perhaps, a complicated thought-experiment / hoax conducted by the author, meant to allow him to be his own devil's advocate! How about that? (Editor's note: Actually, it's just a note that's being posted unattributed. We're about to get into some pretty explicit stuff, and not everyone will want google associating their name with it.)


I've been following (and sharing) your 50 Shades series with great amusement up until now. Unfortunately, your rundown on ch 7 was really disappointing. Partly this is because the book itself is so depressing, but mostly it had to do with your evident ignorance of, and distaste for the BDSM community. I can not say that I speak for this community as I picked up most of my knowledge from conversations in and around college gender studies classes. Yet it seems to me that you kept going for the cheap joke by shaming those who enjoy this particular kink instead of focusing on how ham-handed EL's portrayals are.
I mean, you're right that a second date is a ridiculous time to be bringing up contracts, hard limits or giving out tours of ones dungeon, but there really are written contracts in this community, and they exist for very important reasons. And yes, it seems peculiar to mention hard limits that would sound obvious to those outside the community, but by in large this is a subculture which gets it's kicks from transgressing social norms, so the ones CG listed really aren't that extraordinary.
Moreover, "Nice" sex is not everyone's introduction to adulthood. In fact I'd say it is shockingly rare (probably something to do with abstinence only sex ed programs or something). And of course the implication is that atypical sexuality is not "nice", which really puts my teeth on edge.
So here is what I ask. If you are not interested or willing to do the research in order to discuss different sexualities/preferences in an informed way, could you stick closer to your most excelent observations about the craft of writing instead?
Sincerely,
Redacted



Our commenter has correctly identified the fact that I don't know anything about anything. I know so little, in fact, that it was only the other day that wikipedia informed me that I was wrong about what BDSM even stood for. I've also never proclaimed myself an expert, but that's not a particularly good excuse. In American political life, "I'm no expert but" is usually the thing that somebody says right before saying something hilariously dumb. I recognize a lack of expertise as a fault rather than a convenient excuse for failing to address one's own ignorance. 

I'll also acknowledge that there can be something uncomfortable about mockery of a subculture coming from someone unfamiliar with said subculture. It's like how it's okay for you to make a joke about someone in your family, because you love your family, but the same joke coming from the mouth of an outsider would seem cruel. 50 Shades does not belong to a subculture, though. This is not a bit of fringe literature that I dug up for mockery, but the fastest-selling book of all time. EL has sold more than 35 million copies of these books in the US. Think about that for a minute! That's more than 1 copy per 10 Americans! So this is a mass-culture phenomenon, not something from the fringe. Which means that the vast majority of readers will be reading about sex contracts and dungeons and floggers for the first time. While I may be ignorant when it comes the sort of things that excite Christian Grey, I'm every bit as knowledgable as the book's average reader, which in turn disinclines me from worrying that my jokes ought to be better informed. 

I don't wish to shame anyone, except for a couple of fictional people and also EL James. I am of the opinion that whatever other people consent to and find fulfilling is no concern of mine, so I do feel bad for coming across as distasteful. 

It's probably CG's contract that I took the most "cheap" shots at, even though it does make quite logical sense to me that people engaging in kink naturally have to rigorously spell things out. In truth, it's not the contract or even the sex dungeon that make me feel uncomfortable. What I find distasteful, and will continue to find distasteful, is the way that Christian Grey's version of "kinky" lines up so nicely with "regular" misogyny. This book is, at its core, deeply conservative. 

That's what drives my fascination with this book and its popularity--it's perceived as "edgy" but often just reads like the story of a man bullying a woman. And that's depressingly ordinary. 50 Shades feels like a book that's sort of slapped a coat of BDSM paint on top of a harrowing tale of emotional manipulation. 

At least in the parts of this book I've managed to read, we don't see the "submission" part of dominance / submission. Yes, Ana Steele goes along with whatever CG wants, but though she (so far!) is having a pretty nice time, it never seems to me that she's deriving any particular pleasure either from the act of submission or from how her submission affects CG. Which is part of the point, right? 

CG looks to me less like a dominant seeking a submissive, and more like an "active" seeking a "passive." My impression, from my limited reading, is that few people actually experienced with BDSM appreciate its portrayal in this novel, for reasons that will become more and more obvious if you continue reading along with me. 

In the meantime, though, I'll try to take aim at this novel in particular and minimize collateral insults that might land on those who simply have interests that I don't share. 

I'd also suggest that no one use this book as any kind of reference, because seriously. 

Tomorrow morning! The sex chapter we've all been waiting for!